Embodiment
(Tune down 2.5 steps to B)

Thanks are due to Mike Driscoll and Avian Hay for their work.

 Intro:
|-----------------|------------|
|-----------------|------------|
|-----------------|------------|
|-2---------3-----|-2----------|
|-2-----3---1---3-|-2----------|
|-0-0-0-1-x---x-1-|-0----------|

|--------------------|------------------|
|--------------------|------------------|
|--------------------|-------------4----|
|---6-7h9~~-7-6h7p6--|---4-5-----2---2--|
|-4----------------7-|-2-----0----------|
|--------------------|------------------|

|--------------------|------------------|
|--------------------|-------------AH---|
|-----------------6--|-------------4b~~-|
|---6-7h9~~-7-6h7----|---4-5-----2------|
|-4------------------|-2-----0----------|
|--------------------|------------------|

Then repeat the above with the other guitar playing a harmony
(up a major third, with the exception of the C# and G# notes, which
are harmonised in minor thirds... is this clear?)

|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|
|---4-5---4-5---4-|-5-7-5-4---------|---2-4---2-4---4-|
|-2-----2-----2---|---------7-5-4-2-|-1-----1-----1---|
|-----------------|-----------------|-----------------|

|-----------------|  Then again with a harmony, in perfect
|-----------------|  fifths this time.  The final measure
|-----------------|  is different:  just three G5 chords
|-----------------|  to lead into the verse.
|---4-5---4-5---5-|
|-3-----3-----3---|

 Verse:
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------3-----|-----------3-----|-----------3-----|-----------------|
|-2-----3---1---3-|-2-----3---1---3-|-6-----3---1---3-|-2---------------|
|-0-0-0-1-x---x-1-|-0-0-0-1-x---x-1-|-4-0-0-1-x---x-1-|-0-0-000-0-0-000-|

Later on, the second riff after the intro (the palm-muted progression with
B A# G as its roots) is heard with the second guitar playing power-chords:
A#5    G5    the first time
A#5 C5 G5 A5 the second time, into the following:

 "Raaargh!  From your knees arise..."
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|----------------4-5-4-----------9--7-6---------9--7-6----------|
|-----7---6---7--------7-6-4------------9-7-6----------9-7-6----|
|-2--------------------------7-6--------------5--------------7--|
|-0-0---0---0---------------------------------------------------|

|---------------------------------------------|
|---------------------------------------------|
|---------------------------------------------|
|-------2-3--------2-3--------2-3------2-3-5--|
|-5---5------6---5------3---5------6----------|
|-3----------4----------1----------4----------|



The first versions of the leads were contributed by Avian:
(both transcriptions are fairly similar)

Michael Amott's:
|------------------------------------------- h ---------- h ------- h ------|
|----/------------------------------------15---17-17---15---17---15---17-17-|
|--12---------------------16--12--------------------------------------------|
|---------14--12--14--12----------14----------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|

|--------------15-------- h -- p -- p --------------------------------------|
|--15--17--19------19--17---19---17---15----17-15-----17-20-17-17-20-17-17--|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|

                    /\/\                                          /\/\/\/\
|-----------------19--------------------------------------------19----------|
|--20-17-20-17-17-----------------------------------------------------------|
|------------------------16--14---------------------------------------------|
|--------------------------------17--16--17--16-----17-16-14----------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|

Bill's solo:
|---------------------------------------------------------------------------|
|----/\/---/\/--------------------------------------------------------------|
|--17----12----16------------h--p--p----------------------------------------|
|------------------18--17--17-18-17-15---18--17--15------------h--p---------|
|----------------------------------------------------18--17--17-18-17-------|
|---------------------------------------------------------------------------|

|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|
|----------------------15----------------h--p-------------------------------|
|--15--14-----15--18-------18--17--18--17-18-17---18-17-15-14---------------|
|--------------------------------------------------------------16---13------|

|---------------------------------------------------------------------------|
|---------------------------------------------------------------h--p--------|
|-------------------------------------------------12-13-15-13-12-13-12------|
|------------------------------12-13-15-13-12-13-----------------------15---|
|-------------13-15---11----15----------------------------------------------|
|--15---13-15---------------------------------------------------------------|

|---------------------------------------19-15-16-15-------------------------|
|---------------------------------------------------18-16-15-16---/\/\------|
|--12----------h--p------/\/\/\---------------------------------16----------|
|-----15-13--12-13-12--10---------------------------------------------------|
|---------------------------------------------------------------------------|
|---------------------------------------------------------------------------|

|--22-19-20-19-------------------------------------------------h--h----|
|--------------20-17---/\/\---------------------------h--h---12-13-15--|
|--------------------19-------------h--h-----h--h---10-11-13-----------|
|----------------------------------9-10-12-12-14-15--------------------|
|----------------------------------------------------------------------|
|----------------------------------------------------------------------|

|----p--p-------------------------------------------|
|--15-13-12---p--p----------------------------------|
|-----------13-11-10---p--p-----p--p----/\/\/\/\/\--|
|--------------------15-14-12-12-10-9--9------------|
|---------------------------------------------------|
|---------------------------------------------------|


Mike Driscoll offers the following as alternatives:
(b=bend, full-step normally)
 Amott:
|-----------------------------------12----12----12-14-15-14-12h14p12----12-----|
|-------------------------------15b----15----15----------------------15----15b-|
|-14b---------------14b16r14-12------------------------------------------------|
|-14b---14-12-14-12------------------------------------------------------------|
|------------------------------------------------------------------------------|
|------------------------------------------------------------------------------|

|-12-15-12----12-15-12----12-15-15----12-15-12----12-15-12----15b-|
|----------15----------15----------15----------15----------15-----|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|
|-----------------------------------------------------------------|

|----------------------------------------------|
|----------------------------------TH----------|
|-14b--14-12-11-12-14-12-11-9-----(21)---------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|

 Steer:
|-20~~~-------19~~----------------------------------------------------------------|
|-------20~~~------21-20-20h21p20-18-21-20-18-------------------------------18~~~-|
|---------------------------------------------20-19-19-20-19-17-16~~~-17-20-------|
|---------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------|
|---------------------------------------------------------------------------------|

|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-20-19-20-19-20-19-20-19-17-16----------------16h19p17--------|
|-------------------------------18-15-17-17h18----------18~~---|
|--------------------------------------------------------------|
|--------------------------------------------------------------|

|-------------------------------15-16-19-16-15h16p15----15-----------------|
|-------15h16-15-16-15----15-16----------------------18----18-16-15h16p15--| etc.
|-16-17----------------17--------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|