Head (Beach Arab)
By John Frusciante
Transcribed by Sean Brokenshire
sean@eisa.net.au
http://duckhouse.cjb.com
There are three guitar tracks. The staves are grouped in three so that
you can get an idea of where the notes are in relation to the other
parts. Track1 is panned centre, Track2 is left, Track 3 is right.
*******************************************************************************
D Dmin7 D Dmin7 D Dmin7 C
|10-----------------------10-----------------------10--------------------10--8-
|---10----------------10-----10----------------10-----10---------------------8-
|------11----------10-----------11----------10-----------11----------10------9-
|---------12----10-----------------12----10-----------------12----10-----------
|------------12-----------------------12-----------------------12--------------
|------------------------------------------------------------------------------
|
|------7-8-7-------------------------------------------------------------------
|------------10-----8h10-------------------------------------------------10----
|------------------------------9b10b11--------------------------------/10----9-
|-------------------------------------------------12-10/12-----10-10-----------
|-----------------------------------------------------------12-----------------
|------------------------------------------------------------------------------
|
|10------------8-10-8----------------------8-----------------------------------
|---------------------10--------------8h10----10-----------------------8-10----
|----------------------------------------------------------------------------9-
|------------------------------------------------------------------------------
|------------------------------------------------------------------------------
|------------------------------------------------------------------------------
*******************************************************************************
D Dmin7 D Dmin7 D Dmin7
|-------10----------------------10----------------------10-------------------10
|----------10----------------10----10----------------10----10------------------
|-------------11----------10----------11----------10----------11----------10---
|----------------12----10----------------12----10----------------12----10------
|-------------------12----------------------12----------------------12---------
|------------------------------------------------------------------------------
|
|------------------------------------------------------------------------------
|--8------------------12-15--13-12/10---11-11-11--11-13p11---------------------
|/9-9--7----------------------------------------12---------12/14---------------
|----10---------------------------------------------------------10-10h12-10h12-
|------------------------------------------------------------------------------
|------------------------------------------------------------------------------
|
|------------------------------------------------------------------------------
|---8--------------------------------------------------------------------------
|-/9-9--7----------------------------------------------------------------------
|-----10-----------------------------------------------------------------------
|------------------------------------------------------------------------------
|------------------------------------------------------------------------------
*******************************************************************************
C
|----8
|----8
|----9
|-----
|-----
|-----
|
|------
|------
|------
|12/14~
|------
|------
|
|----12
|------
|------
|------
|------
|------
*******************************************************************************
That's the intro and the basic idea for other sections that follow.
When the vocals come in, the riff under that is:
|-------------------------|
|-------------------------|
|*---------5--------5----*|
|*-7-7-5h7------5h7--7p5-*|
|--5-5------(5)-----------|
|------------8------------|
This riff progresses to include chords like C, F and Bb. But it's hard to tab
due to John speeding up and slowing down all the time.
|