He Who Sleeps guitar tab by Morbid Angel @ XGuitar.com


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/ Morbid Angel / Gateways To Annihilation (2000) / He Who Sleeps guitar tab
MORBID ANGEL - HE WHO SLEEPS
                 (2000 - GATEWAYS TO ANNIHILATION)
                      Version 1.0 - April 2001

On the album you actually hear two seperated guitars in the left and right
channel. However, I arranged most of the tracks for one guitar. In some
places the guitar tracks merged better than in others. Sometimes it was
unavoidable to transcribe for 2 guitars. But if you are only one guitarist
you can still achieve a heavy sound.

This song is performed on a 7-string guitar tuned down a half step
(Bb, Eb, Ab, Db, Gb, Bb, Eb) - the guitar sound has quite some
midrange and lots of distortion going.

This is the first song I transcribe so if you have any corrections or
anything to say feel free to mail me : bpielczyk(at)gmx.de.

Some words about my notation style, which should be pretty straight-forward
and easy to read (I hope so *g*) - for more details listen to the record :

- Each "-" is a 16th
- /    = Slide Up
- \    = Slide Down
- *    = Palm Mute
- ~    = Vibrato
- WB-1 = Whammy Bar -1 semitone
- \3/  = Triplet

I hope other tabbers will follow with some more new Morbid Angel songs !



Figure A :

|----------------|------------|------------|------------|------------|
|----------------|------------|------------|------------|------------|
|----------------|------------|------------|------------|------------|
|----------------|------------|------------|------------|------------|
|2---------------|3---2---3-2-|2---6-------|5---8-------|6---9---8---|
|----------------|4---3---1-0-|3-----------|------------|------------|
|0---------------|------------|----4-------|3---6-------|4---7---6---|
                  /   \   * *  /                /            /


Figure B :

|--------|--------|--------|--------|----------------|----------------|
|--------|--------|--------|--------|----------------|----------------|
|--------|--------|--------|--------|----------------|----------------|
|--------|--------|--------|--------|----------------|----------------|
|6-------|5---8---|----6---|9---8---|2---------------|----------------|
|--------|--------|--------|--------|----------------|----------------|
|4-------|3---6---|----4---|7---6---|0---------------|----------------|
              /             /                         WB-1


Figure C1 :

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------5-----|----------------|----------------|
|4---3---3---3---|33334---4-5---2-|4---3---3---3---|33334---2-5---2-|
|4---3---3---3---|33334---4-3---2-|4---3---3---3---|33334---2-5---2-|
|2---1---1---1---|11112---2-----0-|2---1---1---1---|11112---0-3---0-|
         *        ****    *     *          *        ****    *     *


Figure C2 (only slight changes in the last measure) :

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------5-----|----------------|----------------|
|4---3---3---3---|33334---4-5---2-|4---3---3---3---|33334---2-5---5-|
|4---3---3---3---|33334---4-3---2-|4---3---3---3---|33334---2-5---5-|
|2---1---1---1---|11112---2-----0-|2---1---1---1---|11112---0-3---3-|
         *        ****    *     *          *        ****    * *   *


Fill C2 ( parallel to Fig. C2 - overdub in the right speaker ) :

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------6-----|
                                                              /~


Figure D :

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|3-------2---6---|5-----------6-5-|----------------|6-5-5-5-555-5-6-|
|----------------|------------6-5-|4---------------|6-5-5-5-555-5-6-|
|1-------0---4---|3-----------4-3-|----------------|4-3-3-3-333-3-4-|
             /                * *  /       WB -1      \ *   **


Figure D1 :

|----------------|
|----------------|
|----------------|
|----------------|
|6-5-5-5-555-5-6-|
|6-5-5-5-555-5-6-|
|4-3-3-3-333-3-4-|
   \ *   **


Figure E :

|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|2-----------3---|2-----------8---|--/3\----8-8-----|--/3\----8-11----|
|----------------|----------------|8-8888-8---------|8-8888-8---------|
|0-----------1---|0-----------6---|6-6666-6-6-6-----|6-6666-6-6-9-----|
             /                /~   * **** * /~/~     * **** * /~/~


Figure E2 (only a slight change in the 3rd measure) :

|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|----------------|----------------|-----------------|-----------------|
|2-----------3---|2-----------8---|--/3\----8-11----|--/3\----8-8-----|
|----------------|----------------|8-8888-8---------|8-8888-8---------|
|0-----------1---|0-----------6---|6-6666-6-6-9-----|6-6666-6-6-6-----|
             /                /~   * **** * /~/~     * **** * /~/~


Figure F :

|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|----------------|----------------|----------------|----------------|
|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|
|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|0-3-0-1-0-3-0-1-|
 *   *   *   *    *   *   *   *    *   *   *   *    *   *   *   *


Fill F ( parallel to Fig. F - right speaker ) :

|----------------|----------------|
|----------------|----------------|
|----------------|----------------|
|----------------|----------------|
|--5-------------|----------------|
|----------------|--------0-3-0-1-|
|--3-------------|--------0-3-0-1-|
   WB-1                   *   *


Song Structure :

2 x Figure A
1 x Figure B
1 x Figure C1
1 x Figure C2

2 x Figure A
1 x Figure B
1 x Figure C1
1 x Figure C2 + Fill C2

1 x Figure C1
1 x Figure C2

2 x Figure D
1 x Figure D1
2 x Figure D
3 x Figure D1

(Sound of a bell)

1 x Figure E
1 x Figure E2

2 x Figure F + 4 x Fill F
2 x Figure F
1 x Figure F + 2 x Fill F
2003	Heretic
2000	Gateways To Annihilation
1998	Formulas Fatal To The Flesh
1995	Domination
1993	Covenant
1991	Blessed Are The Sick
1989	Altars Of Madness
02	Summoning Redemption tab	bass tab
03	Ageless, Still I Am tab	bass tab
04	He Who Sleeps tab	bass tab
05	To the Victor the Spoils tab	bass tab
06	At One With Nothing tab	bass tab
07	Opening of the Gates tab	bass tab
08	Secured Limitations tab	bass tab
10	I tab	bass tab